S. Blake Duncan has enjoyed a varied career as an oboist, Baroque oboist and English Horn player, a performer of Early Music, and a teacher in Illinois for 30 years. For 17 years he was an affiliate faculty member of the Bradley University Music Department teaching double reeds, Music Appreciation, Music Technology, and serving as Director of the Collegium Musicum, Bradley's early music ensemble. In addition he chaired the Woodwind Department. For 15 years he was a member of the Moveré Woodwind Quintet for the Lutheran Summer Music Program, He was also a member of the Columbus, Ohio based early music ensemble The Early Interval. In the 2000s he was a member of the WiZARDS! A Double Reed Quartet with whom he participated in several recordings, all of which are still available from Crystal Records. He has been a member of the Illinois, Peoria, and Cedar Rapids (Iowa) Symphony Orchestras and was a founding member of the Peoria Bach Festival Orchestra with whom he continues to perform. He began his Early Music studies while an undergraduate at New England Conservatory where he studied Performance Practice, Baroque Oboe, Shawm, Recorder, and early dance with Kenneth Roth, Daniel Pinkham, and Julia Sutton. He has studied Baroque oboe with Geoffrey Burgess and Meg Owens, and performs with the Collegium Vocale of St. Louis and as a free-lance artist on Baroque Oboe. He is currently retired and lives across the bridge from St. Louis in O’Fallon, Illinois.
Lisette Kielson performs regularly at early music festivals and in concert in Chicago and throughout the Midwest as a soloist, chamber musician, and orchestral player. Past President of the American Recorder Society (ARS) and former Director of Bradley University’s Collegium Musicum, Lisette currently teaches on the faculty of the Whitewater Early Music Festival, serves as Music Director of the ARS Chicago Chapter, and maintains an active schedule as workshop presenter across the country. Lisette holds Bachelor and Master Degrees in flute from Indiana University and a post-master’s Diploma in recorder from The Royal Conservatory of The Hague, The Netherlands.
Michael Dicker holds degrees in music performance from UCLA, the University of Michigan, and the Juilliard School. He has studied the Baroque bassoon at the Amherst Early Music Festival, and Victoria (BC) Conservatory Intensive Baroque, and workshops at Oberlin College. He served as bassoonist with the United States Military Academy Band at West Point, the Colorado Philharmonic Orchestra, the Wichita Symphony Orchestra, the Neu Wesphälische Philharmonie, the Belgian Radio Symphony, the Essen Philharmonic, the Deutsche Oper am Rhein, and the Toledo Symphony. He currently is a bassoonist with the Peoria Symphony, the Heartland Festival Orchestra, and the Illinois Symphony. As a chamber musician he has been a prize winner of the Coleman Chamber Competition and has performed with the Lincoln Center Foundation Woodwind Quintet, the Lieurance Quintet, and Sonneries Quintet. He has presented clinics in Germany, Italy, Belgium, Portugal, Japan, Thailand, and the United States. He has served as bassoon instructor at Wichita State University and the Musikschule Bochum. From 1986 until 2022 he was Professor of Bassoon at Illinois State University.
Polly Purcell Brecht is a native of Galesburg, Illinois. She moved back to the area last year from Nashville, Tennessee, where she was a Professor at the Blair School/Vanderbilt and Organist/Music Associate at Westminster Presbyterian, Nashville, where she served for over 30 years. She currently teaches at Bradley University and serves as organist at Westminster Presbyterian, Peoria. She received degrees in piano, organ, and harpsichord performance from Indiana University and Florida State University, with additional studies at Oberlin, University of Houston, and the Eastman School. She also holds the performer’s certificate in organ performance and was a finalist in many competitions, including the Detroit AGO Nationals. Prior to her positions in Nashville, Polly was a tenured professor at Middle Tennessee State University for over 10 years. In addition she has served many churches in Tennessee, Florida, Houston, Indiana, and Illinois. She has extensive experience in solo and collaborative work on piano, organ, and harpsichord. On the Peoria Bach Festival 2024 she will be giving a solo organ concert on Sunday, June 2 at 4:00 pm and play continuo on the Thursday noon concert.
Katherine Lewis is Professor of Viola and String Pedagogy at Illinois State University where she leads a diverse and vibrant viola studio and directs the Master’s in String Pedagogy degree and the ISU String Project. A native of Evanston, Illinois, Katherine is committed to providing musical opportunities to students of all backgrounds and ages in her community and throughout the state. Recognized by the American String Teachers Association (ASTA) with the National 2020 Outstanding State Leadership award and 2023 Illinois Outstanding Studio Teacher award, Dr. Lewis spent over 10 years on the IL ASTA board and continues to serve as ASTA-CAP site host. Additionally, she has been recognized regularly by Illinois State University for her outstanding teaching, scholarship, and service, including the 2024 Outstanding Service award from the Wonsook Kim College of Fine Arts. Additionally, Katherine is a sought-after clinician and viola soloist, with regular masterclass and recital performance throughout the United States. She held the principal chair of the Peoria Symphony for over 15 years and continues to perform as principal viola with the Peoria Bach Festival. Her former students have been accepted into top tier graduate programs and hold positions in major orchestras including the St. Louis Symphony. Katherine holds degrees from Lawrence University, The Cleveland Institute of Music, and Rice University.
Adriana La Rosa Ransom is currently Director of the School of Music at Illinois State University, where she was cello professor for 14 years. She received a Bachelor of Music degree in cello performance from the University of Missouri, where she studied with Nina Gordon. She earned Master and Doctorate degrees in performance from the University of Minnesota, studying cello with Tanya Remenikova and chamber music with Jorja Fleezanis. As a soloist, Adriana has recently appeared with the Peoria Symphony Orchestra, the Illinois State Wind Symphony, and the Illinois State Symphony Orchestra. She has also appeared as a guest artist on notable solo and chamber music recital series, including the Peoria Bach Festival, Chicago Cello Society concerts, the Trinity Lutheran Candlelight Concert Series, and at universities throughout the Midwest. Currently Principal Cellist of the Peoria Symphony Orchestra, she formerly was a member of the Minnesota Opera Orchestra, the St. Cloud Symphony (MN), the European Musical Festival Orchestra (Germany), and Sinfonia da Camera (IL). Adriana has served on the faculty at Gustavus Adolphus College, St. Cloud State University, the MacPhail Center for Music in Minneapolis, and the Grumo (Italy) Music Festival. She is the recipient of the University Outstanding Teacher Award, University Outstanding Service Award, and the Illinois American String Teachers Association Distinguished Service Award, among others. She is an invited presenter at the American String Teacher National Conference, covering topics such as David Popper’s character pieces, supplementary etudes for intermediate level cello concertos, and the use of visual color as a means towards musical expression.
Courtney Huffman Frye, soprano, placed first in the National Association of Teachers of Singing competition and made her New York solo recital debut at Carnegie Hall. She performed in Long Beach Opera's United States premiere of Vivaldi’s Motezuma to critical acclaim. Her stage credits include Yadwiga in Ben Moore’s Enemies, A Love Stor
Courtney Huffman Frye, soprano, placed first in the National Association of Teachers of Singing competition and made her New York solo recital debut at Carnegie Hall. She performed in Long Beach Opera's United States premiere of Vivaldi’s Motezuma to critical acclaim. Her stage credits include Yadwiga in Ben Moore’s Enemies, A Love Story, Violetta in La Traviata, Betty in Lowell Liebermann’s Miss Lonelyhearts, Frasquita in Carmen, and Zerlina in Don Giovanni. An equally accomplished concert artist, she has been a featured soloist with Boston Baroque performing the role of Amor in a semi-staged version of Gluck’s Orfeo ed Euridice and appearing as the soprano soloist in Bach’s Wedding Cantata and Coffee Cantata. Appearing frequently with the Peoria Bach Festival, she has been the soprano soloist in Handel’s Samson and Silete venti and Bach’s Cantata 187 and 172. She has also been a soloist with the Peoria Municipal Band, Symphonic Winds at Bradley University, Colorado Bach Ensemble, High Desert Chamber Music Series, Andover Chamber Music Series, First Church Nashua Concert Series, Centrum’s Port Townsend Chamber Music Festival, Masterworks Chorale’s Summer Sings, Classical Music Series’ Live at the Lounge, New York City’s Orchestra Insonica and the Sunriver Music Festival Orchestra in Sunriver, OR, under the baton of Maestro Lawrence Smith.
Her love for recital work has taken her overseas, including a ten-day concert tour throughout Southern China, and her passion for contemporary music has given her the opportunity to work with and premiere pieces by Alan Chan, Lori Laitman, Ben Moore, Timothy Takach, and Marc-André Dalbavie. She taught voice at Gordon College in Boston from 2013 to 2017 and currently serves on the voice faculty of Bradley University.
Mezzo Soprano Alison Meuth is a voice teacher, music director, and conductor living in Peoria, Illinois. She spent the early 2000s as a professional opera singer working with Opera Illinois, Utah Festival Opera, Sarasota Opera and Annapolis Opera among others. Alison currently spends her time singing sacred music, musical theater and opera in the Central Illinois area.
Trevor Mitchell’s career has taken him across the United States as well as to Austria, Italy, Ukraine, the United Kingdom and other destinations in Europe. Recently audiences heard him in Bach’s B-Minor Mass, Weihnachts-Oratorium (Christmas Oratorio), St. Matthew Passion, St. John Passion, Cantatas 76, 135, 177, Britten’s Serenade for Te
Trevor Mitchell’s career has taken him across the United States as well as to Austria, Italy, Ukraine, the United Kingdom and other destinations in Europe. Recently audiences heard him in Bach’s B-Minor Mass, Weihnachts-Oratorium (Christmas Oratorio), St. Matthew Passion, St. John Passion, Cantatas 76, 135, 177, Britten’s Serenade for Tenor, Mozart’s Requiem, Beethoven’s Missa Solemnis, Vivaldi’s Beatus Vir, Handel’s Judas Maccabaeus and Messiah, and in recital. He also sang concert versions of the Handel operas Semele and Ariodante. With Chicago a cappella, he just completed a recording of Hanukah music to be released in the winter of 2023. Trevor, who has frequently performed on WFMT (Chicago), has recorded albums with Cedille Records, Gothic Records, and is a featured soloist on a Sony Classical release of Mozart’s Coronation Mass with the Choirs and Orchestra of St. John Cantius. He has sung with the Peoria Bach Festival for many years.
Dr. Gerard Sundberg (MN MFA, DMA) is presently Professor Emeritus of Voice at Wheaton Conservatory of Music (Wheaton, Illinois), where he taught studio voice and vocal pedagogy. He is currently living in the Twin Cities (Minnesota). He has performed frequently with various organizations in Chicago, including Chicago Master Singers, Ars
Dr. Gerard Sundberg (MN MFA, DMA) is presently Professor Emeritus of Voice at Wheaton Conservatory of Music (Wheaton, Illinois), where he taught studio voice and vocal pedagogy. He is currently living in the Twin Cities (Minnesota). He has performed frequently with various organizations in Chicago, including Chicago Master Singers, Ars Viva Orchestra, Chicago Chorale, the Apollo Chorus, and the West Suburban Choral Union. And also with Duke University (North Carolina). He recently celebrated his 20th consecutive performance of Handel’s Messiah with the Atlanta Symphony Orchestra and Chamber Chorus. He has been the bass soloist for the Peoria Bach Festival for most of its 22 years.
Dr. Tim Fredstrom has participated in the Peoria Bach Festival as a singer and conductor for several years. He is a Professor of Choral Music Education at Illinois State University in Normal, Illinois. Besides teaching choral methods and conducting he directs the Men's Glee Club. He earned his PhD in Music Education from the University of Nebraska, Lincoln. He has taught at Illinois State University for many years and in 2020 received the ISU Outstanding University Teacher Award. He along with the other conducting staff at ISU are involved in using Virtual Reality to teach conducting. In the Peoria Bach Festival this year he will help to prepare the choir and will be conducting Cantata No. 93, “Wer nur lieben Gott läßt walten” (“If Thou but Trust in God to Guide Thee”) on the Friday evening festival concert.
Jonathan Wessler has served as Kantor at First Lutheran Church in Boston since 2016. Prior to that he was the Assistant Organist at the Church of St. Paul in Harvard Square and St. Paul’s Choir School. A Peoria native, he received the Doctor of Musical Arts degree in organ performance from the Eastman School of Music, studying with William Porter. He previously earned the Bachelor of Music degree in organ performance from the Oberlin Conservatory of Music, studying with David Boe, and the Master of Sacred Music degree from the University of Notre Dame, studying with Craig Cramer. He additionally mentored under Sherry Seckler and Christiaan Teeuwsen. He holds the Associate’s certificate from the American Guild of Organists and was a finalist in the 2007 Arthur Poister Organ Competition. He is the general editor of the Leupold Foundation's edition of the complete organ works of Johann Sebastian Bach and a member of the Lutheran Missal Project editorial team, and gives presentations and lectures on early Lutheran music and liturgy. He maintains an active career as a recitalist and continuo player, appearing frequently with the Cantata Singers, the Concord Chorus, and the Peoria Bach Festival. This year he will also conduct the Peoria Bach Festival Orchestra in Bach's Orchestra Suite No. 3. The harpsichord used for all of the Peoria Bach Festival's 22 years was made by Jonathan when he was in high school.
Dr. John Jost, Artistic Director, is professor emeritus of music at Bradley University where he directed the Bradley Chorale, Community Chorus, and Chamber Singers, and taught conducting from 1989 until his retirement in 2018. He received his bachelor's, master's, and doctorate degrees from Stanford University. Before joining the Bradley faculty he directed ensembles and taught in California, New York, and Haiti where for several decades he directed a summer music camp for Haitian youth. He has held both principal viola and principal second violin positions in the Peoria Symphony Orchestra, has served as president of the Illinois Chapter of the American Choral Directors Association, is co-founder and artistic director of the Peoria Bach Festival, and recently directed the new Peoria-area chamber choir Lumière. He has won awards for teaching and service from Bradley University, the American Choral Directors Association, the Haitian Ministry of Culture, and the Haitian Episcopal Church.
Dr. Martin Dicke helped found the Peoria Bach Festival in 2003 and served as its Co-Director for 14 years while serving as Cantor at Trinity Lutheran Church, Peoria. From 2016-2022 he worked as a Music Specialist with the Office of International Mission for the Lutheran Church Missouri Synod serving among other places in Papua New Guinea and Taiwan. He earned a Masters of Choral Conducting from the University of Minnesota (1987) and a Doctor of Musical Arts in Choral Conducting from the University of Iowa (2008). Early in his career he served schools and churches in the Twin Cities (Minnesota) where he also founded and for 10 years directed a community choir. While studying at the University of Iowa he was Director of the Chamber Singers of Iowa City. He currently serves on the Board of David’s Harp (www.davidsharpmusic.org), an organization devoted to helping churches train a new generation of musicians. He is dedicated to helping musicians participate in what he calls “The Eternal Song” and blogs occasionally at www.jubalslyre.com. His compositions and arrangements are available on www.sheetmusicplus.com and www.jwpepper.com.
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